If one hungers for excellence in his work, he meditates on what is essential. He draws the details; perceive the outcome, rise up to the challenge of bringing forth life to an otherwise blunt image on his canvass, until another dimension forces its control; another life springs forth; heading towards the artist’s worst predicament- mediocrity. Such was his challenge. Henry Rico Tica was born to couples Benito Tica and Gloria Olean, both natives of Tanay on December 15, 1976. He completed secondary schooling from Pedro Jarin High School. He started painting at such a tender age of 17 years under the tutelage of Ka Ante Catolos; until the latter’s death in 1993. He is married to Azenith Bendana and father to 5 year old Reybenson. His family is his utmost inspiration and his art, his motivation.

Walking through his meager studio, one can see the unfinished and unpolished works blatantly resting in every direction, waiting for finality. While on the wall hangs impressive portraits that easily gave way to the artist’s personal taste; his style- Realism- impressionism; his favorite medium, watercolor. His emphasis on lighting is phenomenal. His colors – yellow, green and brown are influence from Ka Ante yet his skillful modulation becomes his own.

When asked about the unfinished works, he explained his tendency to walk out of a session, just to take time to sort out compositional problems, he quips “ lalo na pag nakita kong halos magkakahawig nung mga gawa ng ibang artists”( Specially when I see that it appears very common with other artists’ works) He feels discouraged, he intimated but after days pass, and his emotions set, he goes back to complete it, thus, proving to himself that perseverance and deep understanding of ones goal truly pays off.

His masterpiece “The Blue and White Jar” a still life painting done in watercolor, exemplifies the hard work and contemplation he accords every art piece- achieving proper application of lighting, color modulation and timing. The masterpiece is indeed exceptional. Within itself emanates the mood and season it was conceived.

Rico has also participated in various group shows held in high places like Development Bank of the Philippines and the Holiday Inn, Manila. He is a member of the Tanay Artists Group and the National Commission for Culture and Arts.

Having been continuously encouraged by clients and friends for a one-man show, Rico is yet to conform for he believes the essential is yet to be established. Timing is of the essence. For now, what is important to him is to be able to get away from the conventional panache common among Tanayan artists; to rise above his own adversity he calls “common” and perhaps, be able to create a niche for his future in Philippine Arts. For now, he still has lots of paintings to finish, lots of skills to master and techniques to establish. Until then, can he say that he has confidence? “Let’s see…perhaps!” he bemused with a laugh.

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